Hot trends may come and go, but for some
readers, nothing takes the place of great historical fiction. It can explore
any period, from ancient – even prehistoric – times, to recent decades (that’s
right, your childhood is now historical). The best books let readers explore a
fascinating time in the past, through a character who appeals to modern tastes.
Bringing
History to Life
Regardless of the time period, historical
fiction requires heavy research, in books, online, at museums and through
interviews. D. Anne Love has published seven historical novels for young people,
including The Puppeteer’s Apprentice
and Semiprecious. “Although the
former is set in medieval England
and the latter in Oklahoma
and Texas in
1960, my research process for both books was similar. I read as many primary
sources (diaries, letters, journals) as possible, and followed up with other
books on the topic. I conducted much of my research online, but I also used
libraries for hard to find materials. For Three
against the Tide, a Civil War novel set in Charleston, South Carolina, I
visited the area five times, taking photos, notes, and visiting local libraries
and historical societies.”
With all this research, authors must be
organized. Albuquerque author Lois Ruby (The Secret of Laurel
Oaks, Shanghai Shadows), says, “I take extensive notes, each fact on a separate index
card, all arranged by detailed subject. I do about two years of research before
I even begin writing, then re-check for details after the writing is underway.”
By nature, historical fiction writers
love research and the minutia of the past. Patricia Curtis Pfitsch, author of Riding the Flume, set in 1894
California, says, “I read my work aloud and I tune my ear to anything that
sounds too ‘teacherly.’ I keep reminding myself that it’s not nonfiction. It’s
okay if the readers don’t learn everything I learned.”
Mary Ann Rodman, author of Yankee Girl, agrees. “Sometimes it’s
hard to keep from showing off all that research you did! For me, a detail only
works if it adds to the story in some significant way. If I am unsure, I ask
myself ‘Would I include a comparable detail, if this were a contemporary story?’”
The
People of the Past
Character is key in bringing stories to
life, and in making the past appeal to today’s readers. Love notes that, “I try
to show young readers that although we may be separated by hundreds of years
from the characters in books, their emotions, goals, struggles, and dreams are
very much like our own.”
I agree. In my Arabian-Nights-inspired
fantasy The
Genie’s Gift, the
heroine has led a sheltered life in the 15th-century Ottoman Empire. She wants
to find the Genie who can give her “the gift of sweet speech” so people will
listen to her, and so she can determine her own future. What modern preteen
doesn’t think her parents are overprotective? Who doesn’t want a say in her
future?
Historical characters must be appealing,
yet believable for their time. “I have to watch myself carefully for ‘thought
anachronisms,’” Rodman says. “I like strong, feisty female characters, but if
you are going to have one in a book that takes place in the pre-feminist world,
you better have a good reason for her behavior.”
Changing social standards produce
another challenge. Rodman adds, “It is really hard to write characters who have
what are today considered racist or sexist beliefs (but were widely accepted in
their time) and make them likable... or at least not villains. I hope that my
books show the complexity of events that shaped the way we live in
twenty-first-century America .”
I ran into this problem with my
historical Mayan drama, The
Well of Sacrifice.
The Maya practiced human sacrifice and bloodletting. It was an important part
of their culture, so not something I should simply ignore. I tried to show the
devout religious beliefs that led to that behavior, while also showing the
dangers and horror so as not to glamorize it. I wasn’t sure if this would make
the book too mature for middle grade readers. However, the publisher tagged the
book as “for ages nine and up,” and it’s been used in many schools in the
fourth grade. (As an aside, I’ve had teachers say, “Girls love the strong
heroine, and boys love the gory stuff.” Kids can often handle things better
than adults expect.)
Character authenticity is one of the big
challenges of historical fiction, but authors risk confusing readers if the
language is too authentic. Doris
Gwaltney suggests, “In some instances, as in my Elizabethan novel, Shakespeare’s Sister, the language had to be altered a bit for today’s readers.”
She kept the basic language clear, and then “I threw in a few words of the
period to create the flavor of the time.”
I avoided this problem in The Well of Sacrifice, The Genie’s Gift, and my Egyptian
mystery The
Eyes of Pharaoh. Since
those characters would not have been speaking English, I didn’t have to worry
about when specific English words came into use. I assumed I was “translating”
from ancient Egyptian into modern English. I still avoided slang or other words
that would jar the story out of its historical time period. However, in the
past, people usually spoke in a way that seemed natural to them at the time,
not in stiff, formal language. (Read some Egyptian love poems if you don’t believe me.)
On
the Shelves
Like the authors who write it, the
editors who publish historical fiction tend to love the genre. However, editors
also must consider what will sell. If you are one of the many teachers,
librarians, parents, or authors who believe that We
Need Diverse Books,
then vote with your budgets.
So what makes great historical fiction?
A spark of inspiration, months of research, carefully chosen details to bring
the setting to life, and a dynamic character who appeals to today’s readers,
while expressing the differences of her time. With a little luck, the end
result is a book that will last long beyond modern trends.
Chris Eboch writes fiction and nonfiction for all
ages, with several novels for ages nine and up. The
Eyes of Pharaoh is
an action-packed mystery set in ancient Egypt. The
Genie’s Gift is an
Arabian Nights-inspired fantasy adventure. In The
Well of Sacrifice,
a Mayan girl in ninth-century Guatemala rebels against the High Priest who
sacrifices anyone challenging his power. In
Bandits Peak, a teenage boy meets strangers hiding
on the mountains and gets drawn into their crimes, until he risks his life to
expose them.
Visit www.chriseboch.com for samples, advice on writing historical
fiction, and a list of favorite historical novels, or visit her Amazon page.
Chris is also the author of You Can Write for Children:
A Guide to Writing Great Stories, Articles, and Books for Kids and Teenagers. Remember
the magic of bedtime stories? When you write for children, you have the most
appreciative audience in the world. But to reach that audience, you need to
write fresh, dynamic stories, whether you’re writing rhymed picture books,
middle grade mysteries, edgy teen novels, nonfiction, or something else.
Whether you’re just starting out or have some experience, this book will make
you a better writer – and encourage you to have fun! Order for Kindle, in paperback, or in Large Print paperback.
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and critique offers
The Puppeteer’s Apprentice, by D. Anne Love: A scullery maid in
medieval England must face danger and mystery to follow her dream of making the
puppets dance.
Riding the Flume, by Patricia Curtis Pfitsch: In 1894
the giant sequoia trees are being felled for lumber in northern California.
Should fifteen-year-old Francie risk her life to reveal secret activities?
Yankee Girl, by Mary Ann Rodman: In 1964, Alice Ann
Moxley's family moves to Mississippi to protect black people registering to
vote, and Alice must make terrible choices in order to have friends.
Shakespeare’s Sister, by Doris Gwaltney: What if
Shakespeare had a sister who followed him to London to join the theater and
write plays? Doris is also the author of Homefront: The story
of Margaret Anne Motley, a teenage girl living on a peanut farm in Isle of
Wight County, Virginia, and the ways in which World War II changed her life.
The Secret of Laurel Oaks, by Lois Ruby: A
novel based on a real slave girl whose ghost haunts the plantation until a
murder mystery is solved with the help of Timberlarken, a most strange tree.
Lois is also the author of Shanghai Shadows: When the Nazis invade
Austria in 1939, 12-year-old Ilse Shpann and her family flee to
Japanese-occupied Shanghai.